Psychiatrist Gunay Aliyeva On The Phenomenon Of Automatic Writing

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Video: Psychiatrist Gunay Aliyeva On The Phenomenon Of Automatic Writing

Video: Psychiatrist Gunay Aliyeva On The Phenomenon Of Automatic Writing
Video: Automatic Writing - Art in Action #BIMAFromHome 2024, March
Psychiatrist Gunay Aliyeva On The Phenomenon Of Automatic Writing
Psychiatrist Gunay Aliyeva On The Phenomenon Of Automatic Writing
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The boom of psychography falls on the nineteenth century, when everyone was en masse carried away by spiritualism, occultism and other things of the same kind. Psychography was considered a gift from heaven, proof of the afterlife - they say, some external force leads the hand

Psychiatrist Gunay Aliyeva on the phenomenon of automatic writing - psychography
Psychiatrist Gunay Aliyeva on the phenomenon of automatic writing - psychography

Gunay Aliyeva at thirty-four years old he is a doctor of medical sciences. She is a psychiatrist by profession and works at a research institute at Boston University (USA).

The institute where she works is engaged in the study of unusual things. These are paranormal phenomena associated with the human psyche. In the department in which Gunay Aliyeva works, an extremely curious phenomenon is being investigated - psychography.

What is psychography?

- Psychography, or automatic writing, is a parapsychological and clinical term that denotes the ability of a person in a state of hypnosis, mediumistic or meditative trance to write meaningful texts without conscious control over this process. The process of psychography consists in the fact that a person who receives a "message" from the outside relaxes and enters a more or less noticeable trance, holding a pen in his hand. Soon the hand begins to move as if by itself, and the writer may not even look at the paper.

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At the same time, he may be busy with completely different activities and not be aware of what he is writing in general. Those. the following happens: under certain circumstances and at a certain time, someone or something turns a person into a "writing instrument" like a fountain pen or typewriter, less often - an artist's brush. It is curious that the handwriting in which the "automatic text" is written may differ from the handwriting characteristic of the same person in a normal state.

Psychographers usually do not look at the resulting text and write completely without blots. And they write much faster than people usually write. Even faster than the nearby researchers are able to read. They sometimes grip the handle so tightly that even very strong people are unable to unclench their fingers.

Why are you doing psychography, a psychiatrist? Is psychography a deviation in the human psyche?

- It's just that psychiatry of all the official sciences is the closest to this phenomenon. As for whether this is a deviation or not, the question is controversial. In everyday life, almost all psychographs are normal people. In a trance, no. In general, not a single psychiatrist is able to clearly and unambiguously answer the question of whether a person is normal or not. No limits! Especially when it comes to a creative person or a genius in general …

When was the phenomenon of psychography discovered?

- For a long time, but the boom of psychography falls on the nineteenth century, when everyone was en masse carried away by spiritualism, occultism and other things of the same kind. Psychography was considered a gift from heaven, proof of the afterlife - they say, some external force leads the hand. Serious scientists, including the English physician-parapsychologist F. Wood, paid attention to the phenomenon of psychography.

He first encountered the automatic writing phenomenon in 1928. He was visited by a woman who had been writing down strange messages for a year. Wood always carefully checked the facts, suspecting the possibility of charlatanism or delusion, but the story of a visitor interested him. Wood watched as a woman wrote down mysterious messages, conducted a series of experiments and made sure that in this case we are talking about genuine psychography, and not about quackery.

What most often occurs under the pen of a psychograph?

- A variety of things, quite often incoherent texts, but there are many cases when these were wonderful literary works. Moreover, people who have absolutely nothing to do with literature. Sometimes in these works art historians and culturologists recognize the style of this or that writer or poet who died long ago or recently. For example, in 1934, shortly after the death of the famous Brazilian poet Umberto di Campuí, his family began a lawsuit against a certain Xavier, who graduated in his youth only four classes of school, but psychographed, among many others, Campuí's poems.

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Xavier was acquitted: the court found that due to the fact that after his death the poet could not create anything more, from a legal point of view, Xavier does not bear any guilt. And Xavier, by the way, wrote over 120 books in this way. By the way, they have been translated into many languages today. He wrote not only poems "under Umberto di Campui", but also other poems, medical and philosophical works. In the style of Xavier, experts recognize the style of about two hundred different authors. But precisely the manner, and not plagiarism - there is no one to "plagiarize" anymore!

Are there any cases when a writer created his own works as if "under dictation" from above? Didn't unconsciously imitate someone else's style, but wrote his own?

- Yes, for example, William Blake. He once admitted that he created his poems "Milton" and "Jerusalem" as if under someone's dictation, without any deliberate intention and even against his will.

However, there were those who "collaborated" with a certain "spirit" voluntarily and even with joy. For example, the writer Pearl Curren. The spirit, as in the case of Dickens, visited her home during a seance on July 8, 1913. She didn't take spiritualism seriously - she was just curious, nothing more.

That evening, on Ouij's board (there are several ways to conduct Ouija) the inscription appeared: "I lived many moons ago. I will come again. My name is Patins Worth." Pearl Curren began to regularly communicate with the spirit of Patins Worth and learned that she was born in 1649 in England, in a poor family, was not married, went to the American colonies, where she was killed during a skirmish with the Indians. Having provided, so to speak, biographical data, the long-dead girl began to dictate something like stories to Pearl.

I must say that Pearl Karen was a simple housewife, far from literature, and not only as a writer, but even as a reader. However, in five years of regular communication with the spirit of Patins Worth, the woman wrote dozens of poems, plays, stories, epigrams, allegories, and four historical novels. All these works were published in 29 volumes and contain about four million words. For comparison: your newspaper page has a little over three thousand words.

Can you imagine what speed? And here's another supernatural fact: sometimes during a session, Karren managed to write up to 22 poems. What poet will be able to compose (just write, not just write down) so many poems? Only a graphomaniac, but Curren was not a graphomaniac, her works have been translated into several languages.

Why was the communication interrupted after five years?

“Because Pearl got pregnant. She was thirty-seven, and this was her first pregnancy, which was very difficult. The body weakened and ceased to perceive literary signals from the other world. This story, by the way, excited not only the literary, but also the scientific world.

Scientists began to scrupulously study her works and, to their great surprise, concluded that they were written in Old English, which fell out of use several centuries ago. In addition, amazing historical details were found in the works, about which an uneducated girl, who studied only until the age of fourteen, could hardly know anything.

But the most striking thing is that this case is not the only one! No less amazing is the story of the writer Richard Bach. Once Bach, then just a young American pilot, was walking along the bank of a canal in California and heard an unfamiliar voice, which uttered strange words: "Jonathan Livingston Seagull." Bach took the paper and painstakingly wrote down those visions that swept before his mind's eye. The result was a literary work that became famous, soon published in many countries, including in Russian in 1974.

After the publication of "The Seagulls …" Richard Bach, who had previously written something, but was completely unrecognized by the public - his opuses had no success, woke up famous. By the way, G. Beecher Stowe composed her "Uncle Tom's Cabin" in about the same way: the events of the novel passed before her eyes in images. She never hid it. In general, it is curious that the result in cases with psychography does not depend on the efforts of the writers - everything turns out by itself, the texts are not rewritten. And it would be difficult to consciously work on texts for a person who in ordinary life cannot connect two words on paper …

They say that Charles Dickens did not finish the novel "The Mystery of Edwin Drood" himself, but some psychograph did it for him. Is this a bike or is it true?

- It's true! Dickens died on June 9, 1870, before he could finish the novel. Only six parts were published, and no one knew how it would end. And now, two years later, a certain man announced that he had managed to complete the novel in a state of trance under the dictation of Dickens. It was an American who settled in England named James, who, by the way, studied only until he was thirteen years old.

It all began at a seance, where the spirit of Dickens "came" and asked James to help finish the last novel. In seven months, four hundred pages of printed text were written. The most amazing thing is that the new text began exactly with the same word that ended with the still unpublished unfinished manuscript of Dickens. But James in no way could see the unfinished novel, much less read it.

When Dickens's novel, finished by James, was published, even the most fierce skeptics admitted that the novel was written exactly in accordance with Dickens's style and vocabulary: the logic of the characters' behavior, word usage and even Dickens's favorite technique - flash back, transitions from the past tense to the present - all it was flawless. I just want to exclaim that a real creation will find its reader, bypassing all barriers: both temporal, and spatial, and biological.

And then what happened to James?

- He did not become a writer: the gift went away, as it came - in an instant, when the work was finished. He returned to the ranks of faceless hard workers and did not repeat such feats again. And nobody could explain the secret of his connection with the spirit of the great writer.

So maybe with the help of a psychograph you can establish a connection with the other world?

- Yes, this, in fact, was done repeatedly, but not on purpose, of course. Quite often, psychographs create not only literary works, but also simply convey some messages, often from people completely unfamiliar to them during their lifetime. One of the most striking examples of this is the case from our days with Anna Piamancini from the Italian city of Luca, which was studied by the associate professors of the Department of Parapsychology of the University of Naples Cobaltina Marrone and Giorgio Di Simone.

One day, not a fine day, Anna, who was thirty-five, decided to commit suicide. There were many reasons: the death of parents two years earlier, unsettled personal life, purely everyday problems … She already poured poison into a glass, she suddenly lost consciousness and, as she later said, saw her dead mother and heard her voice: "Don't do this, take a pen and write what the spirit dictates to you! I have a person here who will be waiting for you!"

Anna took a paper and a pen, and immediately her hand itself began to write: "I am Robert. I died in a car accident. You and I are the same age. What beautiful palms you have." It is curious that, according to Italian newspapers, this connection has not been interrupted even now. The most interesting thing is that the handwriting in these messages is not of Anna, but of Robert - this was confirmed by his relatives, whose address was given by the spirit.

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Another example of messages from the other world is an earlier case with the writer from Austria G. Ayper. In 1945, her son died, and the woman suffered greatly. One day she was sitting, lost in thought, and mechanically moved her pencil over a notebook. She could not write anything - not long before that she had dripped atropine into her eyes and saw nothing. Suddenly her hand began to trace line by line. She felt convulsive contractions of the muscles, as if an electric current passed through her arm. When she was able to read what she had written, she was surprised to find in a notebook a letter from her son - in his handwriting. Letters "came" more than once, and they were on a very important topic for Ayper at that time.

It looks like a fantasy …

- Yes, from the point of view of everyday consciousness. However, I spoke only about those facts that were documented. Fortunately, modern science does not turn a blind eye to psychography as it does to other paranormal phenomena. Perhaps because you can touch them, so to speak.

Many scientists are trying to find scientific explanations for such facts. However, most explain psychography as sensory automatism. Like, this is due to the extraction of forgotten information from the depths of the subconscious, it seems to be pulled out of the grip of the mind by this method. Proponents of this theory argue that nothing can be obtained through automatic writing that exceeds the stock of knowledge and information in the memory, consciousness and subconsciousness of the medium.

But this hypothesis is unconvincing, as evidenced by numerous examples, including those that I have already cited. Or here is the case with the Englishwoman Rosemary Brown. She conducted hundreds of sessions - unconscious creative acts: she wrote plays under Bernard Shaw, articles, including scientific works on psychology under Jung, played unfamiliar music, reminiscent in style of the works of old composers - Bach, Mozart, Rachmaninoff … In addition, she had and experiences of communication not only with literature, but also with painting.

Can painting also be called psychography?

- Yes, painting can also be "dictated". Moreover, in people who, in ordinary life, paint only at the level of children's kalyak-malyak. For example, the Brazilian A. Gasparetti, who did not know how to draw, drew "under dictation" even in complete darkness, with two hands at once and two different pictures. Or the Dutchman G. Mansveld, who until the age of forty-six did not take a brush in his hands and was unable not only to draw something, but even to sketch the simplest picture.

The researcher of such phenomena, Dr. Krener, who carefully studied the exhibition of paintings by this artist, argued that it is completely impossible to believe that all these paintings were created by one person, since they give the impression that they were painted by at least twenty different artists who have nothing in common. perception, neither in technique, nor in temperament, nor in themes, nor in school, nor in artistic significance. Mansveld writes in almost complete trance, sometimes in complete darkness. His facial expressions, voice, speech, temperament change in accordance with the kind of picture he is painting. How can one fail to recall Xavier with his diverse literary works?

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Are there such examples somewhere closer?

- There is. For example, in Belarus. Several years ago in Svetlogorsk there was an exhibition of the psychographic artist Galina Grigorievna Loginova, a boarding school teacher. Previously, she did not know how to draw at all and did not feel any attraction for it.

The ability for pictorial psychography came to her after a severe thunderstorm. Suddenly, one after another, unusual portraits began to appear in front of her inner gaze. This gallery of images was "broadcast" for over an hour. And three days later, Loginova had an irresistible desire to paint the portraits she had seen. In one year alone, the teacher made about 40 sketches and 89 drawings. All of them are made exclusively with blue pencil, since Loginova claims that she sees images from another world in this particular color and it simply does not work to draw in a different color.

Have such cases been observed with music?

- And they were observed with music, and again in people without hearing and abilities. To some extent, psychography is also a sudden mastery of previously unfamiliar foreign languages, such as, for example, the patient of the above-mentioned English doctor Wood. In a state of trance, a woman not only wrote, but also uttered phrases in an unknown language. Only after consulting an Egyptologist, Wood found out that it was an ancient Egyptian language. Wood called the phenomenon he described xenoglossia. A very striking example of both xenoglossia and psychography in its purest form is the Brazilian K. Mirabelli. He received "messages" with great speed, while talking with others.

The topics of his work are incredibly extensive: "Chemistry in the light of phenomenology" - 35 pages written in 46 minutes in English. "On the Origin of Man" - 26 pages in half an hour in French, "Buddhist Apology" - 8 pages in Chinese … Knowing only three languages, he wrote in 28 languages. Mirabelli's pulse quickened to 150 beats per minute, the temperature rose to almost 40 degrees. A special scientific commission that studied him found that the content of the psychograph's works "surpasses the usual possibilities of memory" and they "cannot be created with the help of tricks." Apart from the fact that the works were written in an impeccable (!) Language, each time is different.

Psychography is also the sudden possession of some previously unknown knowledge. For example, the writer Krzhizhanovskaya-Rochester, who psychographically wrote more than forty of her exciting novels, described ancient Egyptian ceremonies so accurately that she was awarded a scientific prize for it. Some of the facts described in her books could only be known by scientists-Egyptologists. Or the American writer Taylor Caldwell, in her novels, demonstrated an excellent knowledge of medieval medicine, the history of which she never studied. When asked how she writes about what she has no idea about, she innocently replied: "I don't know, it comes from somewhere."

Why go far? Our Azerbaijani writer Yunus Oguz is a case of a psychograph, to whom he "comes". But not always, as in the other examples given. Sometimes in a dream, sometimes during the work process. Yunus Oguz, being a philosopher by profession, and a journalist by profession, writes historical novels. The time range of events covered in the novels is quite large - from the era of Attila to the Safavid Empire of the 16th century.

The heroes come to him in a dream and argue that sometimes everything was not the same as in the history books, but otherwise. Sometimes they threaten that if the writer does not write, as it was in reality, he will be in trouble. The most curious thing is that with a deeper study of sources not available to the general public, it turns out that the heroes were right in their demands!

By the way, one of the most ancient psychographic works, according to parapsychologists, is the Old Testament, some parts of which, according to many sources, were dictated from above. The later sacred book - the Koran - is also considered a psychographic work, it is not for nothing that Muhammad claimed that the text of the Koran seemed to be dictated to him by someone.

Isn't the state of inspiration close to psychography? Indeed, often from people of creative professions you can hear that what they created was as if dictated by someone from above. But by whom? The same restless spirits that did not have time to be realized in life, like the spirit of Dickens?

- No, inspiration does not imply such concomitant conditions as in psychography. In addition, people who are educated in one way or another still have inspiration, and most often people of not very high intellectual level have the ability for pure psychography. This, as I said, was the spirit guides of Dickens and Patins Worth.

It is believed that people who are not burdened with the baggage of education are easier to relax and go into a trance. Being in this state, they do not even record what they write, everything happens by itself. And those to whom the muse descends still understand what they are doing. And they do it at normal speed and in a familiar language.

How is the phenomenon of psychography explained at your institute?

- The hypotheses are completely different, and there are no indisputable ones among them. Where does the information come from? Most likely, from the same place as with any other form of clairvoyance. The information that people receive through psychography prepares us for future events, often quite serious.

The Yunost magazine once told about the engineer A. Krasin, a workshop foreman at the Chernobyl nuclear power plant, who almost two years before the accident had a dream: the fourth unit explodes … Roughly the same thing, but in writing, occurs during psychography. If we are talking about some kind of near misfortune, then such information persistently invades the human psyche, and at this moment he can no longer write anything else, even without understanding the content of the "messages".

Against the background of assumptions and assumptions, there is one fairly convincing hypothesis, which I personally share. These are the concepts of the noosphere, developed by Academician Vernadsky and, independently of him, by the French scientist Teilhard de Chardin, albeit in a different form. By the way, the picture proposed by these scientists is in good agreement with traditional Indian legends about "aksha records" - that is, a certain sphere that records in the form of special "psivibrations" everything that ever happened in the minds of people. Probably, it is no coincidence that many, arriving in an unfamiliar country, city, entering a house, feel a certain mental impact. And some people can get quite definite information from this ocean of psychic information, as is the case with psychography.

Is it possible to learn psychography?

- I, like many scientists, by the way, think so. Of course, to one degree or another: someone will succeed more, someone less. The famous German psychiatrist Anita Mehl proved that when the appropriate conditions are created, most mentally healthy people can be taught automatic writing, all that is needed is the correct psychological attitude and lengthy training. With the spontaneous appearance of automatic writing, the factor causing it is most often a mental disorder, mainly hysteria. Psychiatrists and psychologists even have such a concept: the logic of insanity. Indeed, the sensations and reasoning of a mentally ill person have their own logic, their own interconnections. The famous Swiss psychologist Karl Gustav Jung was most involved in this.

Modern German psychologists recently conducted a study and found that two-thirds of subscribers of both sexes, talking on the phone, mechanically draw all sorts of things on paper - each one his own. Some are cells, some are arrows, some are flowers, and so on. Most often, any surface or paper that has turned up is hatched. These resulting signs-symbols express their inner state - either permanent or tied to a given conversation. So, psychologists also attribute all these strokes and squiggles to the phenomenon of psychography and are closely studying it.

Do you yourself have the ability to psychograph?

- No! (Laughs) But as a child, as my mother claims, there were. This was expressed in various, often strange phrases that my hand pulled out while I watched TV. Moreover, the meaning of the phrases did not correspond at all with the theme of the program or film. I attribute this undeveloped phenomenon to a certain state of trance, into which the TV immersed me.

In fact, I am not the only one, television acts in a similar way to many. Sometimes this results in psychography, sometimes in depression, and even in aggression. But this ability has died out, and I'm, in general, glad. Because it's one thing to study others, and another thing to study yourself. In the latter case, there is literally one step to bias or the desire to manipulate the result. So I'm not going to develop this property in myself.

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